Rebecca Smith, Author at Diversifying the Classics
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Author:Rebecca Smith

Professor Barbara Fuchs Speaks with ArtsBridge Artist-Educators

On April 8th, Barbara Fuchs joined UCLA ArtsBridge’s director Perry Daniel and her class of undergraduate artist-educators to discuss comedia, adaptation, translation, and early modern visions of the world. This engaging discussion was part of DTC’s ongoing project, now entering its third year, to bring comedia to LAUSD students in collaboration with ArtsBridge and the Bresee Foundation. We are thrilled to work with such creative artist-educators to continue supporting students in our community in making Hispanic classical theater their own.

DTC’s Children’s Theater Workshop Returns to La Librería

In collaboration with La Librería, the noted Spanish-language children’s bookstore in Los Angeles, Diversifying the Classics will be hosting a theater workshop for kids ages 6-11 on May 17! Reprising our 2023 workshop, this event will teach young students about comedia in a bilingual art-making environment. Students will have the opportunity to learn theater techniques—how to tell stories with their bodies and voices, how to design costumes, how to make a set—and to put these skills to use in the production of a short play. This year’s play will be La vida es sueño by Pedro Calderón de la Barca, which DTC has adapted into both a children’s book and a shorter dramatic text.

Diversifying the Classics Visits Geffen Academy

This February, members of Diversifying the Classics visited UCLA’s 6th-12th grade school, Geffen Academy, to share their work with Upper School Spanish students. The visit was perfectly timed, as students in the Advanced Spanish course were studying Spanish Golden Age literature.READ MORE

Celebrate Ana Caro with Expand the Canon: March 30th at 10 am PST

To celebrate Women’s History Month, Expand the Canon, an organization that supports the study and production of classic plays by women and underrepresented genders, will host a digital discussion of Ana Caro’s Valor, agravio, y mujer. The discussion will take place on Sunday, March 30th at 10 am PST on Zoom. Diversifying the Classics is excited to join this discussion of Caro’s timeless text, which we translated as The Courage to Right a Woman’s Wrongs in 2019. Contact emily@hedgepigensemble.org for more information.

New Book: Golden Tongues: Adapting Hispanic Classical Theater in Los Angeles

 

We are thrilled to announce the release of Golden Tongues: Adapting Hispanic Classical Theater in Los Angeles, an anthology that brings Hispanic classical theater into vibrant dialogue with contemporary storytelling. This collection, born of the collaboration between Diversifying the Classics and Playwrights’ Arena, features seven English-language adaptations of comedia classics by Los Angeles playwrights. These plays offer fresh perspectives on themes of gender, race, cultural identity, and social justice, connecting centuries-old narratives to the challenges and experiences of modern audiences.

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DTC Welcomes Paul Wagar to Translation Workshop

On December 3rd, Diversifying the Classics was delighted to welcome the acting professor and voice coach Paul Wagar to speak to the translation workshop. Paul worked with the actors in TFT’s extraordinary production of The Courage to Right a Woman’s Wrongs by Ana Caro, directed by Michael Hackett. Paul shared invaluable insights about how actors receive translations of Hispanic classical theater and how DTC’s translations can be best adapted to the stage. Paul taught the workshop how details such as punctuation, line breaks, and sounds affect the way actors perform our texts, helping us make informed decisions in our scripts that will allow our translations to shine in the mouths of actors.

Labyrinth at The Sor Juana Project at UCSD by Bretton Rodríguez

On October 17, 2024, more than five hundred members of the UC San Diego community attended a staged reading of Love is the Greater Labyrinth by Sor Juana Inés de la Cruz. In his introductory remarks before the performance, Manuel Vargas, a professor of Philosophy at UC San Diego, mentioned that he never would have believed five years ago that such a large audience would come out for a play by a seventeenth-century Mexican nun at what has long been considered a STEM-focused institution.

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